Fig. 1 Poster |
Alfred
Hitchcock’s ‘The Birds’ (1963) is described by Alistair Sooke of The Telegraph
as a ‘peerless horror film’ (Sooke, 2015). Indeed, the film is
impressively disturbing and would stick in the mind of the viewer for its
mystery and its confidence. Xan
Brooks of The Guardian suggests that this is one of Hitchcock’s most confident
films, as his reputation was at its peak, he applauds the ‘daring, audacity and command of its
material’ (Brooks, 2012). The film follows the story of Melanie Daniels’
visit to Bodega Bay, a small and tight-knit community. The town is then
attacked by birds with increasing ferocity, Melanie seems central to these
attacks, but no reason is given for their occurrence.
Fig. 2 Local suspicion |
One of the
film’s defining characteristics is its mystery; the viewer waits and waits for
an explanation, but none is given. Brooks writes; ‘Everyone is confused, ruffled, on the brink of
flight. Here is a film that provides no answers and no escape. Chaos reigns
from top to tail.’ (Brooks, 2012). The locals are
suspicious of Melanie from the moment she arrives, Fig. 2 shows some of their reactions
to her appearance. The attacks coincide with her arrival and their bizarre nature
amplifies the pre-existing distrust. By the time the attacks are in full swing,
the locals are downright terrified of her. Fig. 3 shows a scene where a collection
of women gather and glare at her as one mother accuses her of being evil. The
audience is left to wonder if the attacks really are Melanie’s fault, or if
perhaps they are a manifestation of the local’s distrust of outsiders.
Fig. 3 Local fear |
Sooke notes
the way that ‘Hitchcock makes the
malevolent birds seem like manifestations of his characters' mental unease
–especially that of Mitch's mother and his former lover, Annie, now a local
schoolteacher.’ (Sooke, 2015). Annie is eventually
killed by the birds and Mitch’s mother is also assaulted in her home and
witnesses very gory scenes at a neighbour’s house. Conflict between women is a
key theme in the film, with Melanie at odds with these characters; Fig. 4 shows
Mitch’s mother staring Melanie down. Birds are commonly associated with women
and harpies and furies come to mind when considering the vicious attacks in the
film. Perhaps the birds are a manifestation of jealousy and territorial rage.
Bosley Crowther of The New York Times wrote at the time of release that ‘the context of the birds concentrating
their fury upon a house in which a possessive and jealous mother hovers
anxiously over her son is so obvious and fascinating that I rather lean to it.’
(Crowther, 1963).
Fig. 4 Mitch's mother |
The
overwhelming use of diegetic sound in the film is crucial to its effect. The
score is made up of bird calls and rustling feathers and Sooke writes that ‘the absence of a score renders the horror more
immediate’ (Sooke, 2015). The saturation of these noises towards the end of the
film is terrifying and provides the viewer with a sense of doom. Using sound in
this way is a clever move by Bernard Herrmann, a longtime colleague of Hitchcock’s.
No reason is given for the events in the film so there is little reason to
expect that they will end. It feels as though the noise and the danger could
keep on building until all sense is drowned out.
Bibliography
Brooks, X (2012). My Favourite Hitchcock: The Birds. At: https://www.theguardian.com/film/filmblog/2012/jul/31/my-favourite-hitchcock-the-birds (Accessed on 03.03.17)
Crowther, B (1963). Screen: 'The Birds': Hitchcock's Feathered Fiends Are Chilling. At: http://www.nytimes.com/movie/review?res=9D05E7D9143CEF3BBC4953DFB2668388679EDE (Accessed on 03.03.17)
Sooke, A (2015). The Birds, review: 'disturbing'. At: http://www.telegraph.co.uk/culture/film/filmreviews/11334674/The-Birds-review-disturbing.html (Accessed on 03.03.17)
Illustration List
Fig. 1 Poster
Hithcock, A (1963). The Birds [Poster] At: http://www.impawards.com/1963/posters/birds.jpg (Accessed on 03.03.17)
Fig. 2 Local suspicion
Hithcock, A (1963). The Birds [Film Still] At: http://1125996089.rsc.cdn77.org/wp-content/uploads/2015/07/birds18.jpg (Accessed on 03.03.17)
Fig. 3 Local fear
Hithcock, A (1963). The Birds [Film Still] At: https://flickswithmaddog.files.wordpress.com/2011/12/birds-3.jpg (Accessed on 03.03.17)
Fig. 4 Mitch's mother
Hithcock, A (1963). The Birds [Film Still] At: http://www.mardecortesbaja.com/ManMotherBirdsBaja.jpg (Accessed on 03.03.17)
Hithcock, A (1963). The Birds [Film Still] At: http://1125996089.rsc.cdn77.org/wp-content/uploads/2015/07/birds18.jpg (Accessed on 03.03.17)
Fig. 3 Local fear
Hithcock, A (1963). The Birds [Film Still] At: https://flickswithmaddog.files.wordpress.com/2011/12/birds-3.jpg (Accessed on 03.03.17)
Fig. 4 Mitch's mother
Hithcock, A (1963). The Birds [Film Still] At: http://www.mardecortesbaja.com/ManMotherBirdsBaja.jpg (Accessed on 03.03.17)
Another spot-on review :) Excellent choice and use of supporting evidence...
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